Rarely did he make a song about anything, and those zingers were plain obnoxious. As a rapper, he almost sounded the part: Take a step back, and there he was, rapping fast, switching up flows, delivering (too many) punchlines.
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He’s skilled enough to figure out how to excel at something, and, for the most part, look like he knows what he’s doing.
It sounds like “Kokomo” for the “ Hotline Bling” era, or maybe Ween covering Sublime’s “Caress Me Down,” and its inclusion is entirely baffling, considering the sonic cohesion of the rest of the project.ĭonald Glover’s greatest talents remain his tragicomic touch as a screenwriter and his ease with performance.
“California,” a cringey tropical parody complete with fake patois, sticks out for the wrong reasons. There are also a few indistinguishable tracks that feel like funk retreads “Have Some Love” sounds uncomfortably close to “ Can You Get to That” from Funkadelic’s Maggot Brain. On “Have Some Love,” he limply advises the audience to “really love one another.” The song called “Riot” isn’t exactly riotous: He screams a little, but only for the sake of fulfilling a pre-ordained funk yelp quota-nothing in the song seems to have moved him to shrieking. Too much of the rest, though, simply nods to sentiment without producing any. It’s a love song, which has always been Glover’s forte, whether on Because the Internet’s “ 3005,” “ Telegraph Ave,” or Camp’s “ L.E.S.” The same goes for the open-hearted “Baby Boy,” possibly inspired by the birth of his son. These songs dig into something that feels unique to Glover’s heart, not just his record collection. The tracks are embellished with intricate details throughout, like the delicate xylophone on “Terrified.” “ Redbone” builds from a slow jam into a peak of futuristic guitar and forceful staccato piano chords. Its imagery (“This is the end of us/Sleeping with the moon and the stars”) might be vapid, but the intensity of Glover’s singing compensates, as does the ripping electric guitar. The album’s first track and lead single, “Me and Your Mama,” is a satisfying slow burn that shows off Glover’s impressive falsetto.
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Like the cosmic soul it emulates, the atmosphere is lush, full of period ambiance worthy of a high-end television set. The album’s production is majestic, aiming squarely for the cosmos depicted on its striking cover artwork.
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